Coheed and Cambria | No World For Tomorrow

Coheed and Cambria - No World For Tomorrow

Right, I’ll say again that there was a free bar, so my memory of the album was limited.
Theres a few standout moments that you’ll wanna hear tho, i’ll try and convey as much as possible. I can’t recall every song tho….

The Reaping
- The subtle acoustic introduction. It works so well and sets up the rest of the album. Its beautiful, just as ‘Always and Never’ was, its a calm before the storm.

No World For Tomorrow
- Definitely this albums ‘Welcome Home’. It powers through, but with the variations that welcome home missed. Its not as straight forward and better off for it.

The Hound (Of Blood And Rank)
- I’ve heard it recorded and live and this song is just fantastic. I’m sure you’ve seen the snippets on youtube. Its a great song and flows brilliantly.

Feathers
- As suspected it, it is the poppiest track here, but nothing like ‘Blood Red Summer’ (my least favourite coheed song. controversial…) Blood Red Summer has very little energy, but feathers bounces along with so much energy and has one of the most awesome solos in it

Mother Superior
- I loved the first ever recording with claudio playing solo, but in contrast, having the full band as well as strings just turns this song into an epic flow. It moves you. Yes, theres a couple of variations at the end but it doesnt affect the song at all.

Radio Bye Bye
- Garettap mentioned this was very ‘Volume 1′. What i have to say is that nothing on this album is like volume 1. The entire band has made such a progression. I’ll mention this in a bit…

On The Brink
- This song is simply amazing. it captures the finale perfectly and with its length has the time to make itself an epic.

I can some up the album much better with the following paragraph…

The band have progressed so much so that it shouldn’t be regarded as a ‘Volume 2′, but as a complete album by its self. There are no filler songs. ‘Once upon your dead body’ and ‘mother may i’ can sometimes come across as, not filler, but story driven and downbeat. On no world for tomorrow, this doesn’t happen and the perfect balance creates songs that stand up on their own.
Claudios vocals are magical and sweeping and there is so much drive and intent with the bands playing.

I’ll try and sum it up. The album powers along with so much drive and intent and it doesn’t let up at all. From start to finish it takes you on an epic ride.

- Posted by: amongthedeadmen (Cobalt and Calcium Forums)

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Isn’t this awesome? Click here to discuss!

If you have an artistic side, please submit wallpapers, buttons, animated gifs, ANYTHING you can thing of that resembles Coheed and Cambria’s “No World for Tomorrow”.

What a better way to show your support for YOUR band, and at the same time to have YOUR work showcased all over the internet!

Submit your work to webmaster@cobaltandcalcium.com.

Garett Press from AbsolutePunk has returned to ramp up the excitement and to give us yet another review of the up and coming release of No World For Tomorrow.

Snippet:

In this the conclusion to the Coheed and Cambria saga, Claudio looks inward rather than outward for inspiration, channeling the loss of a loved one and some band line-up turmoil in order to conjure the raw passion and embattled spirit some thought to be absent from the band’s last effort. What results is somewhat of a return to the very real emotional foundation that permeated even the most progressive nooks and crannies of The Second Stage Turbine Blade and In Keeping Secrets of Silent Earth: 3.

But the emotions that well up in light of a deceased relative, your band almost crumbling, and the challenge of writing an ending for a story to which you’ve dedicated your life aren’t those fluttering heart sentiments that spawned past snoozers like “Wake Up” and “Once Upon Your Dead Body.” No, this 11 o’clock number is a frontman’s tale of self-discovery and acceptance of grave responsibility in the wake of chaos, angst, and feeling utterly alone.

Oh, you thought this was just about rocket ships and light sabers?

If Good Apollo Volume One reflected a band embracing the roots of their modern classic rock sound, then No World For Tomorrow is the progression of that roots approach after a healthy dosage of sunlight, water, and pure catharsis. The instrumentation is simply on fire and the solos have returned; only they’re sharper and more frequent.

Read the whole review at AbsolutePunk

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There appears to be a YouTube Channel dedicated to The Willing Well. Check it out!

Since we cannot hot link anything from UGO, click here.

You can also discuss this message on our forum board or join in and speculate on what this could mean for the story.

This NWFT message is very vague and cryptic… Hrmm….

Coheed and Cambria’s upcoming album “No World For Tomorrow” is now available to order from MerchNow, Smartpunk and other online retailers.

Here’s the skinny: No World For Tomorrow will come in 3 formats!

1. NWFT “Deluxe Edition” - includes a bonus DVD feature a 24-minute documentary feature on “The Making of NWFT”, with interviews and amazing footage from inside the studio while this album was being birthed; Five (5) never-before-heard ORIGINAL ACOUSTIC DEMOS (Claudio’s first audio sketches of the songs); plus over 50 photos from recent tours. It also comes with a beautiful 16 page lyric booklet filled with scenes from “the story”, painted by legendary artist Ken Kelly, and all comes in a beautifully designed 4-panel digi-pack.

2. NWFT - “stripped” version - A cd and a slip sleeve cover - No lyrics, no dvd, low, low price.

3. NWFT - “double gatefold vinyl” - featuring beautifully big art by Ken Kelly, with 2 lps pressed on 180 gram vinyl, with etched artwork on side 4! - The vinyl release will also include a free digital download of NWFT!

Source: CoCa MySpace Blog

Discuss this post and find more information on our forum board.

We’ve teamed up with deviantART (http://www.deviantart.com/) to create a very cool contest giving you the exclusive opportunity to have your art appear in Issue#5 of the Amory Wars!

Here’s the deal, we want YOU to create a pinup that will run in Issue#5 of The Amory Wars miniseries, published by Image Comics.

Artists of deviantART are invited to submit a pin-up of their favorite character(s) or image inspired by The Amory Wars - Whether your favorite character is Coheed Kilgannon, Chase, Wilhelm, even The Grail Arbor, illustrate your favorite! It can be characters, locations, etc. Claudio wants to see your rendition!

The winner will get their pin-up printed as a full-page pin-up in The Amory Wars #5, plus receive the new Coheed & Cambria CD, No World For Tomorrow, signed by the entire band and all five issues of The Amory Wars signed by Claudio Sanchez.

All submissions must be at least 8″ x 10″ and 300 dpi.

Read more about the contest & enter here: http://news.deviantart.com/article/34064/

Submissions will be accepted until Friday, October 12, 2007 and only submissions to deviantART will be accepted, please do not send any submissions to our myspace.

You can check out more about The Amory Wars at your local comic book store or on these websites - www.theamorywars.com and www.myspace.com/evilinkcomics

Good Luck!

You’ll turn into this retard:

Let this be a lesson to all of you.

Yes, AbolutePunk was lucky enough to get an Advance of “No World For Tomorrow”, which releases on October 23rd. Garrettap’s Review can be found in this thread on our forum board.

Snippet:

So Claudio basically walked into the studio with all those stirring emotions he’s mentioned in the interviews and let it wail. This is the hardest rocking, loudest, and most instrumentally intense Coheed record yet and I think even darker than GA1. No, they have not reverted back to Second Stage or In Keeping Secrets, but they have also not made a carbon copy of Apollo 1 with a different story. Though the tracking of the record is quite similar, this album will knock you on your ass with ten times the force of GA1.Whereas you could hear the band trying to emulate specific influences on GA1 (a.k.a. Once Upon Your Dead Body) on GA2 it’s pure CoCa and their influences only help to make things rock n roll. There’s roughly four songs which gave me GA1 vibes, but the rest is a whole new beast. Solos are back and sharper and the riffage is on fire, seriously I feel like it’s burning a hole in my CD player, this record is hot, flaming fire. Upon hearing the record, the cover artwork works perfectly, because you really feel the weight of that shirtless character heading towards a world being torn to pieces - both his outer layer of revenge, anger, and blood lust as well as his inner emotional conscience get a voice here.

Claudio, as usual, gives a stellar vocal performance - sounding a little higher than GA1 but equally character driven in his vocal stylings. Please do not overthink “The Running Free” it’s one of only two songs that I would even begin to think of the word “pop” (there really is very little pop this time). It sounds so much better in context and it’s an awesome awesome song in my opinion. Please also stop listening to Mother Superior acoustic right now. Like everything else on this record, it is not a cute acoustic song you can put in your pocket, it is LARGE and a different animal, but vocally note for note like the acoustic version.

The End Complete is just about as insane as you’ve imagined it, and because the first half of the record is a rockfest, it doesn’t feel like a total 180 a la the Willing Wells. The records ends with dignity and of course it’s super epic. I won’t say anything more here (read below if you want tiny hints). All in all it’s a pretty perfect and justified end to the saga - a full progression of a band’s sound. Coheed and Cambria were the saviors of rock and roll but now….. they ARE rock and roll.

Ready for more? Get the full length review here.